Hell, I can’t even remember what I wrote for this. Excuse me a minute while I go look. Oh yeah, the arcanotechnician description! That was fun. It’s fun any time you get to write a sentence like “Watching that kitten playfully batting around the head that had once rested upon its own tawny shoulders, I…… Read More
This was the book where I burned out and finally realized that, while I could do the job, I had to work twice as hard as I did writing, to get results that were only about half as good. I’m a much better writer than editor or developer. Honestly, it’s just a matter of math.… Read More
Here I really hit my stride, got a bunch of great writers and just had them jam, then assigned fine artists to illustrate the results.… Read More
Golden Comeback was the first of the purely Atlas-developed Feng Shui books, and the first with me at the helm. The fans seem pretty happy with it, as my design philosophy was “give them lots of chrome-encrusted toys to play with” alongside how-to articles that were (hopefully) illuminating to at least some consumers. But, to my…… Read More
The only Feng Shui supplement where I’m the sole author, I worry that it has that same To Go problem of self-indulgence. Working with an editor who doesn’t get what you’re trying to do is an exquisitely painful experience, but working with no editor at all means you’re in a void and have no idea if…… Read More
This was a book of adventures and I wrote one called “Blood for the Master” in which a giant temple appears in Hong Kong, containing a giant iron statue that comes to life when fed human blood. Good times.… Read More
